Friday, May 11, 2012
I Reject Your Rejection (and substitute a smiley face) :)
I've also recently recalled something I'd repressed for years: This isn't my first round with literary rejection.
When I was 13, I was coming off the high of having finished my first book. It was written by hand using 3 spiral bound notebooks, edited by the cutest boy in the entire 6th grade (Yes, I paid him. It was probably the only way I could get him to talk to me in the first place), and carried the title of: Island Of The White Rhinos. (Or something equally embarrassing like that.) And no, that manuscript will never again see the light of day. Not even for a good laugh.
Anyway...
Having realized I could actually complete something, my ambitious little self came across an article on how to get one's work published. Deciding I should start small, I pulled out a poem I was very proud of and polished it up. I then compiled a list of magazines and non-profit organizations that could potentially make use of my piece, and sent them all letters explaining who I was and offering to let them use my poem for free. It was, after all, aimed at a heartfelt good cause.
I did include my age in the introductory letter--not so much because I thought anyone would be impressed by my prodigy-like efforts, but because I hoped it would garner me a little patience... Possibly even a dash of humoring inspired by pity.
If memory serves (which, it obviously didn't until the flashbacks started) I sent out 11 letters with my poem, and received back 7 replies. All of them rejections. Kindly worded no-thank-yous, to be sure, but rejections all the same.
Let's just say that my dermal and intestinal fortitude were both adversely affected.
After all, if nobody was interested in my work when I was giving it away, they'd certainly never pay me to produce more of it. And thus, my 13-year-old self decided to euthanize a budding dream. Four years later that dream would be resurrected into a zombie-like (yet operational) state by a well-meaning Creative Writing professor...but that's getting into a story for a different post.
The point is, I've blazed this trail before. And I'm now much older, wiser, better equipped, and (as my husband will gladly attest) irrevocably bull-headed. There will be no throwing in the self-esteem towel this time around. I can now rebuff the notion that a query rejection is somehow a rejection of me as a human being. (Although, the bolstering encouragement from cohorts and loved one's is still welcome. ^_^)
I've also realized that there seem to be six levels of response an author can expect when sending out one's query. And here they are, just for fun--in order of desirability:
*The full manuscript request. (This doesn't mean you're in, but it means they're legitimately interested. Go ahead and *squeeee!*)
* The partial request. (This is interest, but tentative. Polish those first 3 chapters until they shine. Discreet high-fives may be in order.)
*The personalized rejection (Not only is it addressed to you instead of 'dear author', but they've taken the time to give you some idea of why the project isn't right for them. Cherish every word.)
*The form rejection. (Cut. Paste. Repeat. Hey, at least that means they spelled your name right.)
*The lazy form rejection. (From some underpaid secretary: Dear Author...whatever your name is.)
*The 'no response means no.' (A trend that is becoming increasingly common. If you find this a touch disrespectful, you'll want to read all of an agent/editor's submission guidelines carefully--they typically post a disclaimer about their response policy.)
Now, if you're feeling brave, I'd love to hear about YOUR experience with rejection and how it's shaped you. :)
Friday, September 9, 2011
Rejection I Can Appreciate
So far I'd been trying to use this blog to be helpful to other aspiring writers. Right now, I just want to be real with you. (Fear not--I have no intention of emotionally upchucking all over your house slippers.)
I just wanted to confess that I've just received my fifth rejection from an agent, and I've got some mixed feelings about it. (Yes, I know that five rejections is nothing, and I can easily expect a dozen more before the planets align and/or Snooki's book finally runs its course.) I'm not reflecting so much on the rejection as I am on the -type- of rejection it happens to be. You see, this is the first non-form rejection I've received.
Aha! My angsty dark cloud has a silver lining.
That's right, while it still stung like being the last kid picked for Dodgeball, this letter was -personalized-! No generic 'Dear Author'... my actual name was at the top of that tiny paragraph. No cut-and-paste standard reply about how the agent gets so many queries every day they can't possibly give me a hint as to why my project (regrettably, of course) doesn't interest them... this one gave me an explanation. And here it is, short and sweet:
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'Unfortunately I'm going to pass on this idea. The manuscript is quite long, and it's quite hard to sell memoirs from authors with small platforms.
Sorry about all this. The idea itself seemed interesting and interestingly enough mirrors a fiction project that I'm planning on taking on.'
Best,
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Now that I've gotten some potentially useful feedback on my attempt, I have to decide what to do with it--if anything. (This was only the query, by the way. This particular agent didn't want writing samples included.)
*Can I cut down the manuscript notably?
Maybe a few thousand words could still be trimmed without the book losing its essence, but I'm not sure what count to shoot for (as there is no average word count for this genre.)
*Can I magically pull a 'platform' out of subspace by becoming famous overnight?
Unlikely. (Call me, Snooki! I'd like to audition to become your arch nemesis. >.>)
*Can I completely rework the book into a fiction piece and still live with myself?
Ask me again after another two-dozen dismissals.
Okay, so I suppose I don't have much by way of conclusive information just yet. At least it's a start. Seeing any of this echoed by a different agent will certainly make me sit up and reassess my approach to the query gauntlet.
In the mean time, the name of the game is 'persistence.' If Kathryn Stockett (author of 'The Help') had to face down 60 rejection letters before finding an advocate for her story, then I figure I've got 55 more to go before I'm entitled to mourn my lack of marketability. (I may do a bit of whining at every interval of 10 or so, but I'll try to keep it to myself as much as humanly possible.)
So, has anyone learned things from rejection letters? And if you happen to have some experience with them, tell me what you make of mine. :) I'm wide open to interpretations/suggestions.
